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> The Microstory, Microstory exercise
Cleo_Serapis
post Feb 5 05, 17:47
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Real Name: Lori Kanter
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Referred By:Imhotep



Hi all.

We've started a discussion regarding the term 'microstory' and a challenge was put forth to create them.

I thought I would start a tile here (please 'add reply') so we can practice and comment. I hadn't heard of this term before so I googled it and here are some responses:


"A term - as far as I know - first used by MIT during the creation of the never-ending-conversation. A microstory is the smallest particle of a work of interactive fiction. During the creation of a work of interactive fiction, story parts are connected to each other with links or commands (or possibly an at-random sequence). Every story part is a possible followup to another story part. These story parts are called "microstories." ~ from IfWiki.Org


"On a grid each point is connected to at least four other points and that contain microstories. Imagine that the point you are on right now tells you about the cat Irma used to have and how she took the animal to bed with her ever since she was a little girl, and how the neighbor killed the cat because it ruined his flowerbeds. Let’s call the microstory you are on right now number 0, and the four grid points this story is connected to are numbered 1 to 4.

In my story, grid point number 1 could contain a story about the first time Irma met the cat, number two could be a description of Irma’s bedroom and some other things that happened there, number three could be about the neighbor and his flowerbeds, and number four could be the a description of what Irma did to the neighbor when she found out he killed her cat.

And so on.

In this way one can design a grid and move from one side to the other and experience a landscape of emotions, stories, events and descriptions that are all thematically linked to one another.

But: as in every other story, one has to take care of one tiny detail: does the reader have enough information to understand the next part of the story? In the case of a grid-based story, this is the same, but more complicated because anyone can arrive at any point from several directions. In theory these could be four (or eight when diagonal movements are allowed) but one could limit them to two if the reader can go top-down, right-left.

Okay, lets start making things even more complicated. Suppose the story we are telling the audience is based on a map of Irma’s bedroom. Every square contains an item that is connected to a story and all the items are thematically connected on a grid. Irma lived in that room from the time she was a little girl until the day she died. We are presenting this as a point and click story, that is: we walk through the room using different shots of that room and we can move from one shot to another by clicking in the desired direction. Every shot contains an item (or items) and every item tells us a microstory.

Microstory number one, the microstory we start with – probably the door to the room - is very important. This is the entrance point to the story and we have to tell the reader everything he or she needs to know about Irma in order to understand what is going on in the next microstories. That is what I call an information point.

There could be more information points than one inside Irma’s bedroom. Suppose the story – and therefore the bedroom – starts at the point where Irma is still a little girl of five years old. Several things happened in those days. Especially her father was very important to her then. And when he died everything changed. Her live changed, her mother changed. And of course: the story will change with it. The microstory that contains the story of her father’s death could be another information point. And it could lead us to another room, the room her father lived in. Or it could lead to the same room ten years later. This room also has a grid, maybe the same stuff is on it, maybe not, but Irma has grown older, and the stories that are connected to the items are different.

Instead of one square with a grid on it, we are now confronted with two squares connected at one point: the point where we learn that Irma’s father died. We could position those squares on top of each other, creating a cube filled with dots.

We can move on through her room, in a different time, and learn everything there is to know about Irma at the age of fifteen. Until we encounter a new information point......."

~from BigBother



"As the tool, microstory is used — text unit of a paragraph, summing up the context, form, and content of particular work, event, or theory."

"A MicroStory must be 499 words or less."


Anyway...anyone care to join in?

Here in this exercise, let's limit the word count to 100 or less (per James and Perry)...


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