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> The Horsecar, Trois-par-Huit (Part 2 of Hepta Crown)
Cleo_Serapis
post Sep 8 05, 05:31
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Posts: 18,892
Joined: 1-August 03
From: Massachusetts
Member No.: 2
Real Name: Lori Kanter
Writer of: Poetry & Prose
Referred By:Imhotep



Hi all.  Cowboy.gif

A little tidbit first: I'm working on the Hepta Crown Challenge (in the Acropolis) and I've chosen the topic below. May as well put it in for critique. The Trois-par-Huit's rules are: Three stanzas of 3, 3, 2  OR 3, 2, 3: 8 lines in total with a syllable count of 3, 6, 9, 12, 12, 9, 6, 3. The rhyming pattern is AAB BBC CC where the last line is the title of the poem and summarizes the meaning of the poem.




Part II of Public Transportation in America (1850s)

The Horsecar

Thoroughfares,
welcomed these cheaper fares
with capacity more than double.

Twice the speed on friction-less railed pavement stubble
forces Omnibus to secondary trouble...

with its inside room, better by far;
and ridership on par…
The Horsecar

© Lorraine M Kanter 27 Aug 2005


·······IPB·······

"It's a dangerous business, Frodo, going out your door. You step into the Road, and if you don't keep your feet, there is no knowing where you might be swept off to." ~ J.R.R Tolkien, The Lord of the Rings

Collaboration feeds innovation. In the spirit of workshopping, please revisit those threads you've critiqued to see if the author has incorporated your ideas, or requests further feedback from you. In addition, reciprocate with those who've responded to you in kind.

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Guest_Jox_*
post Sep 8 05, 05:53
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Hi Lori,

Interesting piece... a couple of problems you may wish to address if you agree with...

I feel some of the rhymes are a tad "forced." It is difficult - you have to write in form and in subject and in rhyme (part of the form) therefore, something has to give.

"stubble" seems to lie-ill with the poem to my way of thinking. If you feel the same an approach may be to re-consider "trouble" - but I'm sure you've been carefully considering all that.

The other rhyme is "par" - I don't understand its use here. "Par" means average / norm so how can it be "better by far"?

I really wish I could offer some useful suggestions but I am so tied down by that three-way combination: form / rhyme / subject that I'm stumped

This crit sounds too negative for my liking, so let me also say this is an interesting, unusual topic for a poem and you have done very well to create yet another new form - I watch in amazement. I just feel this particular poem isn't quite there yet and I'm annoyed with myself for not offering a way through yet. But I shall keep thinking.

If I don't like a poem I don't crit. I do like this... just needs something to click.

Good luck and thanks for the read.

J.






 
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