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greenwich
post Jul 2 17, 15:16
Post #1


Assyrian
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Group: Gold Member
Posts: 256
Joined: 2-November 15
From: Croydon, Surrey
Member No.: 5,284
Real Name: Antony Glaser
Writer of: Poetry
Referred By:Eira Rhaposdy



The wayfarer finds himself in the Autumn room
The din of outside leaves invites the tremble of truth
The man's heart sinks, for he has no tidings
Many dark paths has he evaded
but the silence
of this room is like no other


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Imagination fires the soul, resolution the longing.
 
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Psyche
post Jul 25 17, 00:02
Post #2


Ornate Oracle
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Group: Praetorian
Posts: 10,021
Joined: 27-August 04
From: Bariloche, Argentine Patagonia
Member No.: 78
Real Name: Sylvia Evelyn Maclagan
Writer of: Poetry & Prose
Referred By:David Ting



Hi Antony,
I see you've had plenty of good suggestions already. I only think that L4 sounds a little old-fashioned.
The other point I observe is the use of "din" for outside leaves. I can't imagine leaves making a din.
And maybe it's just me, but in L5 you say the room is silent, so it appears contradictory, unless it's in some way metaphorical.
I'll return for another read.
Enjoyed your poem despite these small nits.
Best, Syl*** butterfly.gif




QUOTE (greenwich @ Jul 2 17, 17:16 ) *
The wayfarer finds himself in the Autumn room
The din of outside leaves invites the tremble of truth
The man's heart sinks, for he has no tidings
Many dark paths has he evaded
but the silence
of this room is like no other



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The Lord replied, my precious, precious child, I love you and I would never leave you. During your times of trial and suffering, when you see only one set of footprints, it was then that I carried you.


"There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction."

Sylvia Plath, Crossing the Water, Wuthering Heights.



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