Hi sigh -- ooh! I like the twist at the end here, very clever!
I feel that all this might need is a little trimming back -- a few thoughts (take of toss)
[ ] delete"Come're. Come here, to me."
Pretending not to see[, to]
or hear,
averting her gaze away,
her head shakes side to side,
lips pursed into a thin, tight line.
L1 -- You start with an abbreviation followed by the full 'come here'. Personally I would stick with either one or the other.He smiles, and waits,
she would come.
They always come to him;
eventually.
A slight change in line changes might have more impact ????? ... perhaps.Afternoon visitor upset with his lurking
shaking her helpless fist and cursing.
Offering exchange - a deal - foolish promises.
He looks away, as if he cannot see, or hear
not even bothering to pretend to care.
I like the slant rhymes of lurking and cursing in the 1st 2 lines.
L1 -- I don't feel is very clear -- is he the afternoon visitor?Persistant whispers:
"Come're. Come to me."
He would not chase her down,
Her pupils so large in the night -
so pretty; delicate flower; lovely.
Coaxing, "Come....come now to me".
From her bed she rises into his embrace,
thinking, "This is not so bad".
He savors her sweet breath, tenderly offering escape.
[She]
Remember
ing she's beautiful ,[and] she smiles.
L5 -- I've tried to miss out one 'she' Morning comes and they are gone
fragile old bones lay alone
The kiss of death
A shattering ending -- very good!
I hope that something I've said helps in some way
Snow