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Fenced In, Swap Quatrain |
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Mar 27 09, 06:56
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Ornate Oracle
Group: Centurion
Posts: 4,592
Joined: 31-October 03
From: New Jersey
Member No.: 39
Real Name: John
Writer of: Poetry
Referred By:Larry Carr
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Revised: 8/10/09FENCED IN
Under a trepid guise, a cloudless night summons a veil of anxious, eerie light; haunting, vagabond ravens apprise a cloudless night under a trepid guise.
Ravaged by fright, a belief once pallid evokes refrains from a macabre ballad; frozen figures reveal misery’s plight, a belief once pallid, ravaged by fright.
Hysteric squalls fade in a spiritless mist, but battered, weary egos still persist as insecure emotions are hard to evade; in a spiritless mist hysteric squalls fade.
Corral your fears with walls and fences, barriers primed to curb dicey offenses, often dreaded as sequestered spheres, with walls and fences corral your fears. FENCED IN
Under a trepid guise, a cloudless night summons a veil of anxious, eerie light; haunting, vagabond ravens apprise a cloudless night under a trepid guise.
Ravaged by fright, a belief once pallid evokes refrains from a macabre ballad; frozen images illuminate misery’s plight, a belief once pallid, ravaged by fright.
Hysteric squalls fade in a spiritless mist, but battered, weary egos still persist as insecure emotions are hard to evade; in a spiritless mist hysteric squalls fade.
Corral your fears with walls and fences, barriers primed to curb dicey offenses, often dreaded as sequestered spheres, with walls and fences corral your fears.
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Replies
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Oct 14 09, 15:53
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Group: Platinum Member
Posts: 1,802
Joined: 24-April 04
From: Connecticut
Member No.: 58
Real Name: Ron Jones
Writer of: Poetry
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Dear JLY, I'm impressed whenever I read a "swapper" as I know they are fraught with difficulties. I feel heroic myself when I attempt one. My thought is- in that the form is so strict anf the swaps so difficult to manage, focus must be placed elsewhere as the swaps just can't be so perfect as they are the highlight of the piece. It seems to me that if they can be managed just to sound natural, some other element of the piece can garner the most attention. For me, it's just gotta be the flow. (It seems to me it always is, regardless of the choice of form.) My guess is that tetrameter does it best and metric substitutions unbalance the piece. You are a powerful factor in writing these and I'd greatly appreciate your comments as to how to maximize them. Cheers, Ron jgdittier
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Posts in this topic
JLY Fenced In Mar 27 09, 06:56 Eisa Hi John
I still haven't tried one of these... Mar 31 09, 15:46 JLY Snow,
Thanks for stopping by for a visit. Once I ... Apr 1 09, 05:46 Ishmael I can't say that I'm much of an authority ... Jun 12 09, 09:48 JLY Ishmael:
Thank you for your comments. You made me... Jun 12 09, 10:40 Larry Hi John,
Nice read but I'm not sure of the me... Jun 13 09, 14:51 JLY Larry,
This is really a free form type of poem, no... Jun 14 09, 16:59 Cleo_Serapis Hi John,
Cool - you've penned another SQ... Aug 3 09, 19:18 JLY Lori,
Thanks for the tip. This was one of my rece... Aug 4 09, 05:23 JLY Ron,
I was intriqued by this form because I enjoye... Oct 15 09, 05:23 Sekhmet Good morning JLY - Help! A fine set of impres... Oct 16 09, 03:26 JLY Leo,
Thanks for your comments, but the images don... Oct 16 09, 05:42 Sekhmet HI there JLY – No, I don't think it is the for... Oct 17 09, 02:12 jgdittier Dear JLY,
I'm a strong believer that poets gro... Oct 17 09, 06:37 JLY Dear Leo:
In American dictionaries and online dic... Oct 17 09, 12:32 Sekhmet Hi JLY - Sorry, but I have checked with the Oxford... Oct 19 09, 11:50 JLY Leo,
I couldn't disagree with you more. I can ... Oct 19 09, 18:03 JLY Ron,
Thanks for your friendly comments. Sometimes ... Oct 19 09, 18:06
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