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Molly McGuire...Revision 2, Rhymed "Fun" Poem... |
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Jun 23 07, 14:41
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Group: Bronze Member
Posts: 544
Joined: 3-May 07
From: Central Florida
Member No.: 427
Real Name: Judith Labriola
Writer of: Poetry
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Revision 2
Let me tell you a tale 'bout a girl and a pail that she took with her out to the barn. She was stubborn and slick and determined, by crick, to get milk from that cow without harm.
So she crept and she crawled and was very appalled, when the cow turned a look of disgust. With resigned dedication, again she took station, and proceeded to sit there 'til dusk.
She planned and she plotted, and got her dress spotted by crawling all over the straw. But as hard as she tried, 'twas a matter of pride, she just could not get near that stall.
Well, she sat there confused, and was feeling abused, and decided to get some advice. she called Sean O'Riley, who was thought of as wily although, he treated her nice.
He said, "Molly, me dear, let me give you some cheer, I have something to tell you me Lass; That mean cow is a bull, and if you try to pull, he will knock you flat on your ....Pail....
Revision 1 Let me tell you a tale 'bout a girl and a pail that she took with her out to the barn. She was stubborn and slick and determined, "by crick" to get milk from that cow without harm.
So she crept and she crawled and was very appalled, when the cow turned a look of disgust. With resigned dedication, again she took station, and proceeded to sit there 'til dusk.
She planned and plotted, got her dress spotted by crawling all over the straw. But as hard as she tried, 'twas a matter of pride she just could not get near that stall.
Well, she sat there confused, feeling quite bruised, then decided to get some advice. she called Sean O'Riley, who was really quite wily although, he treated her nice.
He said, "Molly, me dear, let me give you some cheer, I have something to tell you me Lass; That mean cow is a bull, and if you try to pull, he will knock you flat on your ....Pail.... "The end
Original Version
Let me tell you a tale 'bout a girl and a pail that she took with her out to the barn. She was stubborn and slick and determined, "by crick" to get milk from that cow without harm.
Well, she crept and she crawled, and was very appalled, when the cow turned a look of disgust. With resigned dedication, again she took station, and proceeded to sit there 'til dusk.
She planned and she plotted, and got her dress spotted by crawling over the straw. But as hard as she tried, 'twas a matter of pride she just could not get near to that stall.
Well, she sat there confused, and feeling quite bruised, and decided to get some advice. She called Sean O'Riley, who was really quite wily although, he treated her nice.
He said, "Molly, me dear, let me give you some cheer, I have something to tell you me Lass That mean cow is a bull, and if you try to pull, he will knock you flat on your ....Pail.... "The end
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Guest_Cathy_*
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Jun 23 07, 15:12
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Guest
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Hi Judi, Oh my!! That poor girl! It's a good thing she asked for advice! The flow is quite smooth and pleasant in most places and even the near rhymes work rather well. A few thoughts to ponder... Let me tell you a tale 'bout a girl and a pail that she took with her out to the bam. < Do you mean 'barn'?She was stubborn and slick and determined, "by crick" to get milk from that cow without harm. Well, she crept and she crawled, and was very appalled, when the cow turned a look of disgust. With resigned dedication, again she took station, and proceeded to sit there 'til dusk. I would start verse 2 with 'So' since you use 'Well' further down. You might want to see if you can do away with some of the 'and's... although they seem to help keep the rhythm smooth.She planned and she plotted, and got her dress spotted by crawling over the straw. < This line seemed a bit short to me causing a slight rift in the flow. Maybe 'by crawling all over the straw.'?But as hard as she tried, {'twas a matter of pride) she just could not get near to that stall. Well, she sat there confused, and feeling quite bruised, and decided to get some advice. < 'then decided'? It would omit an 'and'.She called Sean O'Riley, (who was really quite wily) although, he treated her nice. He said, "Molly, me dear, let me give you some cheer, I have something to tell you me Lass That mean cow is a bull, and if you try to pull, < It's a good thing she didn't! LOLhe will knock you flat on your ....Pail.... "The end Since you're using her name and quotation marks I think you can do away with 'He said'. An end stop after 'Lass'? For some reason 'mean' caused a stumble for me, what about... 'That ol' cow...'? Anyhoo, thanks bunches for the laugh!!
Cathy
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Jun 24 07, 07:08
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From: Co. Galway, Ireland
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Real Name: Terry O C
Writer of: Poetry
Referred By:Ephiny
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Hi Judi I was round to see Molly the other day, and I thought the tea tasted strange. Now I know why, that O'Riley guy was laughing as if he's deranged I've no nits apart from the points Cathy already made. Thanks for that, its a cracker. I'll have to show it one to a friend of mine who had a similar experience lol. Terry[/color]
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Terrylight lights light
--Raymond Rosliep "The imagination imitates. It is the critical spirit that creates."--Oscar WildeMM Award Winner
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Jun 24 07, 08:23
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Real Name: Judith Labriola
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Hi Cathy...
I have used most of your suggestions, and appreciate them very much. See the Revision above. Have a nice Sunday! Judi
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Jun 24 07, 10:50
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From: Time, Immoral
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Hello Judy,
This is the type of tale where you can get away with using jargon and other colloquialisms. I'd suggest you go with them - they'd do justice. You wouldn't need to " " by crick then.
Fer instance, this would be a gal, as opposed to a girl. At least, from where I'm lookin, she would be.
2nd - it is said the when brackets are used, they're probably not required. Overuse takes away from the whole picture - yours is a case of overuse - and all those annoying additives would be gone.
3rd - I'd review the meter to keep 2 ft in each half of a line >> She planned and she plotted, her dress got all spotted from crawling around in the straw. ballad meter here, 4-3.
There tis, I drink my coffee black, btw!
Merlin
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Jun 24 07, 13:22
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Real Name: Judith Labriola
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Thanks Merlin ...I took you advice about the parenthesis and adding "all" to over the straw. I didn't do a Revision 2, because it was only removing those parenthesis and adding one word, and you are getting credit here for your suggestions. Thanks so much. (Chicken for drinking black coffee...hah) Judi
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Jun 25 07, 08:55
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Real Name: Mary Boren
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Referred By:Kathy Earsman
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Fun schtuff, Judy. In light verse, it's especially important to get the meter right. You might have another look at these lines, which don't follow the pattern you've established in the first quatrain. [*] indicates a beat missing. QUOTE She planned and plotted, [*] got her dress spotted
Well, she sat there confused [*] [*], feeling quite bruised,
although [*] [*], he treated her nice.
he will knock you [*] flat on your ....Pail.... she just could not get near to that stall.This line's not missing beats, but can only be scanned in accordance with the others by forcing stresses where they don't belong. Also, you've relied on "just," "very," "really," and "quite" as metrical filler, and I know you can do better than that. For me, "The End" at the end weakens the punchline. And I agree with Merlin, by crick -- lose the quotes. Thanks for the giggle. Mary
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Jun 25 07, 09:41
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QUOTE (Nada Lott @ Jun 25 07, 09:55 ) [snapback]98702[/snapback] Fun schtuff, Judy. In light verse, it's especially important to get the meter right. You might have another look at these lines, which don't follow the pattern you've established in the first quatrain. [*] indicates a beat missing. QUOTE She planned and plotted, [*] got her dress spotted
Well, she sat there confused [*] [*], feeling quite bruised,
Ahhhh...Mary, if you notice they were right in the beginning but I changed them in the revision..(trying to conserve on "and" and not being smart.) anyway I will correct myself back to my correct beginning, and change the new things and take out the end...which was not really part of the poem anyway...just added it when I posted it.
although [*] [*], he treated her nice.
he will knock you [*] flat on your ....Pail.... she just could not get near to that stall.This line's not missing beats, but can only be scanned in accordance with the others by forcing stresses where they don't belong. Also, you've relied on "just," "very," "really," and "quite" as metrical filler, and I know you can do better than that. For me, "The End" at the end weakens the punchline. And I agree with Merlin, by crick -- lose the quotes. Thanks for the giggle. Mary
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Jul 10 07, 19:31
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Dear Judi, As I'm given to light verse, I suppose I'm overly tolerant. No, not tolerant, appreciative. I read it, would have stamped it with a happy face and asked you if you'd read it to the rest of the class. I accept the credo that all poetry can be improved, but I didn't see much need in your case. My thoughts re light verse also allow for the writer the liberties he chooses to enhance his humor. You've mentioned yourself, terseness and the need to delete filler words has interfered with your cadence. I say it is up to you to decide which is more your style, then be confident that there are those out there who will like it. Nicely done!!! Cheers, Ron jgd
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Jul 10 07, 20:21
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Group: Bronze Member
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QUOTE (jgdittier @ Jul 10 07, 20:31 ) [snapback]99441[/snapback] Dear Judi, As I'm given to light verse, I suppose I'm overly tolerant. No, not tolerant, appreciative. I read it, would have stamped it with a happy face and asked you if you'd read it to the rest of the class. I accept the credo that all poetry can be improved, but I didn't see much need in your case. My thoughts re light verse also allow for the writer the liberties he chooses to enhance his humor. You've mentioned yourself, terseness and the need to delete filler words has interfered with your cadence. I say it is up to you to decide which is more your style, then be confident that there are those out there who will like it. Nicely done!!! Cheers, Ron jgd Thanks so much Ron..That is quite a compliment! Judi
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Jul 11 07, 21:15
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Hey Judi,
this is a kick. I like the rhythm and story. I personally like the orginal better than the revision. I think the meter is far more consistant in it.
a pleasure,
Michelle
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Jul 11 07, 21:40
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Group: Bronze Member
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Real Name: Judith Labriola
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QUOTE (Michelle @ Jul 11 07, 22:15 ) [snapback]99481[/snapback] Hey Judi,
this is a kick. I like the rhythm and story. I personally like the orginal better than the revision. I think the meter is far more consistant in it.
a pleasure,
Michelle Thanks so much, Michelle...That's what happens when you try to keep others happy..LOL...but they were legitimate crits, and I didn't mind givinig up a few things...it is just a lark of a piece anyway...I am more stubborn in a different kind of poem. Judi...
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Jul 13 07, 22:26
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Referred By:Alan M Douglas
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Hi Judy,
No crits from me, I just enjoyed the smile this poem created. Although no bull, it also reminded me of when I was a kid and was given a hearty kick by a cow because I did not heed my grandfather's warning to not walk past behind it while he was busy milking it. Still remember how it hurt!
Hugs, M
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Jul 14 07, 22:27
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Real Name: Peggy Harwood
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Referred By:just wandered in
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Hi Judi,
I think this is a very funny poem!! Bravo!! Instead of ending with the word "pail" you might want to end with the word "arse."
Just delightful!!
Peggy
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Jul 16 07, 12:22
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Group: Bronze Member
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Real Name: Judith Labriola
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QUOTE (Peggy Carpenter Harwood @ Jul 14 07, 23:27 ) [snapback]99605[/snapback] Hi Judi,
I think this is a very funny poem!! Bravo!! Instead of ending with the word "pail" you might want to end with the word "arse."
Just delightful!!
Peggy HAHAHAHAHA On other sites I just come out with A-S but I can't do that here, LOL...Thanks so much...Judi
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