Hello Mau You have the essence of a wonderful poem here. Being (for the most part) predominantly dactylic in falling metre, a kinda offbeat waltz lyric seems to emerge from the script. It cries out with desperation and depicts the subject’s inner strength as she battles with her demons and eventually ends on a happy note. I love the title too!
Dunno how much crit you want here for one star but I can offer some suggestions that may smooth it up a tad.
I know that you favour your Aussy bush poetry style where metric rules are fairly loose but that last bundle pushes even that envelope to busting for me. It seems to fall apart in S4 (a six line strofe with A,A,B.B.B,C scheme) at a point where in fact it all comes together once more for the subject. Changing the structure is ok but should be done deliberately in a subtle way that accentuates the mood shift.
That old scoundrel “THE” has snuck up on you and inserted himself 16 times while you weren’t looking! Replacing some of these with suitable verbs and dumping others may improve the cadence and cuts some extra syllables that trip up the reader.
I noticed a couple of dodgy rhymes, used in that context, “recession” seemed a mite forced to my ear. Bit of shuffling around solves two niggles but the leading syllables can’t seem to make up their mind to be stressed or unstressed. (This is important for reader to get the rhythm right first time, otherwise it may take several tries to pick it up.)
May I suggest that last group actually be re-composed into two discrete 4 line verses with a key change only in the final strophe. “ House” watching the scene also seemed a bit odd since the familiar sketch here would rather be that of “walls closing in”.
The final verse then paints a picture of sunshine returning to rescue our poor tormented heroine who we assume survives the ordeal. It is here you could alter the metre, making it more upbeat to match the mood shift.
You may also consider narrating in the present tense. It would make a startling impact, by bringing the reader into the scene rather reciting from a history book.
While I’m at it, a little re-wording could improve the metre, (at least regarding the consistency of leading stressed syllables) and there is ample opportunity to spread some alliteration around to make those lines roll smoothly off the tongue.
These are just some thoughts to stimulate the muse. Disregard if you wish or yell if you need further suggestions.
Love to see how this one pans out.
It reminds me of a piece I began in this tempo a while back but never finished. It was about the plight hookers in Johannesburg. (I’ve seen it all) Think I’ll go dig it out and run it past the muse again.
Hugz
Wal
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