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June 2018


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Larry @ 06-21-18 13:26
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Larry @ 06-21-18 13:23
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JustDaniel @ 06-15-18 15:43
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JustDaniel @ 06-15-18 15:38
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Posted by Larry - 06-21-18 13:26 - 3 comments

Alone within my mind I wile
away the years trying to find
a new poetic thought or style.
Alone within my mind I wile

and wonder if there’s any kind
that stands the test of time or trial.
Old masters of the craft designed

the forms I use and might compile
into a book or two. Resigned
to facts that it might take a while
alone within my mind.
Read 43 times - last comment by JustDaniel   

Posted by Larry - 06-21-18 13:23 - 3 comments

Some flowers might aspire to smell as sweet
as roses in full bloom or their aspect
if they could only think. Would they reflect
upon their lives and feel it was complete?

To be admired in shows would be a treat
if vanity were theirs. I must reject
some flowers might aspire to smell as sweet
as roses in full bloom or their aspect

for nature's panoply would then retreat.
Variety of species could be wrecked
and gardeners, with nothing to collect,
would plant a mundane row and then repeat
some flowers might aspire to smell as sweet.
Read 49 times - last comment by JustDaniel   

Posted by JustDaniel - 06-15-18 15:43 - 2 comments

A French form consisting of 13 lines: two quatrains and a quintet, rhyming as follows: ABba abAB abbaA. The capital letters are the refrains, or repeats.


A Rondel for Margarita

On the carousel, on a summer's day,
As the rest of the fairground goes gliding by,
We coast together, now low, now high,
But how quickly the moment slips away.

She laughs at the music, elfin and fey,
She laughs for joy at the sapphire sky,
On the carousel, on a summer's day,
As the rest of the fairground goes gliding by.

How sweet her delight in simple play,
Someday, without me, she'll take to the sky,
Brave little fledgling, ready to fly.
We must hold these moments while we may
On the carousel, on a summer's day.

Copyright © 2004 Gail Kavanagh

from Shadow Poetry
Read 36 times - last comment by Larry   

Posted by JustDaniel - 06-15-18 15:38 - 4 comments
A Roundel (not to be confused with the rondel) is a form of verse used in English language poetry devised by Algernon Charles Swinburne (1837–1909). It is the Anglo-Norman form corresponding to the French rondeau. It makes use of refrains, repeated according to a certain stylized pattern.

A roundel consists of nine lines each having the same number of syllables, plus a refrain after the third line and after the last line. The refrain must be identical with the beginning of the first line: it may be a half-line, and rhymes with the second line. It has three stanzas and its rhyme scheme is as follows: A B A R ; B A B ; A B A R ; where R is the refrain.

Swinburne had published a book A Century of Roundels, dedicating his poems to friend Christina Rossetti, who then started writing roundels herself, as evidenced by the following examples from her anthology of poetry: Wife to Husband; A Better Resurrection; A Life's Parallels; Today for me; It is finished; From Metastasio

Swinburne’s first roundel:

The roundel:

A roundel is wrought as a ring or a starbright sphere, A
With craft of delight and with cunning of sound unsought, B
That the heart of the hearer may smile if to pleasure his ear A
A roundel is wrought. R

Its jewel of music is carven of all or of aught - B
Love, laughter, or mourning - remembrance of rapture or fear - A
That fancy may fashion to hang in the ear of thought. B

As a bird's quick song runs round, and the hearts in us hear A
Pause answer to pause, and again the same strain caught, B
So moves the device whence, round as a pearl or tear, A
A roundel is wrought. R

Swinburne’s poem "A baby's death" contains seven roundels. The fourth roundel became the song "Roundel: The little eyes that never knew Light," set to music by the English composer Edward Elgar.
Read 47 times - last comment by Larry   

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